The world of movies is vast and ever-changing, with new releases, streaming options, and behind-the-scenes news constantly vying for our attention. But where do you even begin if you’re just trying to get into film? I say skip the endless scrolling and aim for curation. Stop consuming and start experiencing.
Key Takeaways
- Start with a curated list of 10-15 films from reputable sources like the American Film Institute to build a foundation.
- Commit to watching at least one classic film per month, actively seeking out discussions and reviews afterwards.
- Engage with online film communities on platforms like Letterboxd to discover new movies and share your own opinions.
Opinion: Ditch the Algorithm, Embrace the Classics
Look, the sheer volume of content available these days is overwhelming. Every streaming service is throwing new movies and shows at us constantly, and the algorithm is designed to keep you clicking, not necessarily to introduce you to quality cinema. The key to truly getting into film isn’t to binge-watch whatever Netflix recommends. It’s about building a foundation, a shared language of cinematic history, and that starts with the classics.
I’m talking about films like Citizen Kane, Casablanca, 2001: A Space Odyssey, and The Godfather. These aren’t just old movies; they’re cornerstones of the art form. They’ve influenced countless filmmakers and shaped the way stories are told on screen. Ignoring them is like trying to understand modern architecture without studying the Romans. You can’t appreciate the nuances of contemporary cinema without knowing what came before.
I remember when I first started seriously exploring film. I was overwhelmed by the sheer number of options. I tried to keep up with all the new releases, but I quickly realized I was just bouncing from one thing to another without really absorbing anything. It wasn’t until I started focusing on classic films that things clicked. I began to see the connections between different eras and styles, and I developed a deeper appreciation for the craft of filmmaking. I went from passively watching movies to actively engaging with them.
Counterpoint: New Releases are More Accessible
Okay, I hear you. Classic movies can feel intimidating. They’re often in black and white, they’re slower-paced, and they might require more effort to understand. It’s tempting to stick with the latest blockbusters and streaming hits. They’re designed to be easily digestible, and they’re what everyone is talking about. Why bother with something that feels like homework?
The problem is that focusing solely on new releases creates a very narrow view of cinema. You’re essentially only seeing the tip of the iceberg. Most modern films are built on the foundations laid by earlier generations of filmmakers. Understanding those foundations will only enhance your enjoyment of contemporary movies.
Plus, let’s be honest, a lot of new releases are just…not very good. They’re often formulaic, predictable, and lacking in originality. Spending your time on a curated selection of classic films is a much better investment than blindly following the latest trends. A Pew Research Center study from last year found that Americans are increasingly concerned about the quality of entertainment options, with many feeling that creativity is being sacrificed for commercial appeal.
How to Build Your Cinematic Foundation
So, how do you actually get started? First, create a list. Don’t just rely on your own (likely limited) knowledge. Seek out reputable sources. The American Film Institute (AFI) has a list of the 100 greatest American movies. Start there. Sight & Sound magazine conducts a poll of film critics every ten years to determine the greatest films of all time. Consult those lists. Aim for a list of 10-15 films to begin with.
Next, commit to watching at least one classic film per month. Don’t just passively watch it. Pay attention to the cinematography, the editing, the acting, and the music. Read reviews and analyses afterwards. Discuss the film with friends. Actively engage with the material. I had a client last year who was trying to break into screenwriting. He was struggling to find his voice, so I assigned him a list of classic films to watch and analyze. Within a few months, his writing had improved dramatically. He had a better understanding of storytelling structure, character development, and visual language.
Finally, embrace the social aspect of film. Join online communities like Letterboxd, where you can track the movies you’ve watched, write reviews, and connect with other film lovers. Attend screenings and film festivals in your area. In Atlanta, we have the Atlanta Film Festival every spring, a great way to see independent films and connect with local filmmakers. (And grab a bite at The Vortex afterwards – a true Atlanta institution!). Film is a communal experience, and sharing your thoughts and opinions with others will only enhance your appreciation for the art form.
Don’t Just Watch, Experience
Here’s what nobody tells you: getting into movies isn’t about passively consuming content. It’s about actively engaging with the art form. It’s about building a foundation of cinematic knowledge, developing your own critical eye, and connecting with other film lovers. It’s about transforming from a casual viewer into a cinephile.
We ran into this exact issue at my previous firm. A junior analyst was tasked with writing a report on the future of the film industry. He based his entire analysis on current trends and box office numbers, completely ignoring the historical context. The report was superficial and lacked any real insight. I had to sit him down and explain the importance of understanding the past in order to predict the future. He spent the next few weeks immersing himself in classic films, and his revised report was significantly better.
Consider the case of “Neo-Noir” films. These modern movies often borrow elements from classic film noir, like high-contrast lighting, cynical characters, and morally ambiguous plots. But without understanding the conventions of classic noir, the neo-noir films just seem like stylish crime dramas. Knowing the history adds layers of meaning and appreciation. For example, Brick (2005) is a neo-noir set in a high school. On its own, it’s a clever, well-made film. But if you know the tropes of classic noir, the film becomes a brilliant commentary on the genre, subverting expectations while still paying homage to its roots.
Don’t be afraid to challenge your own assumptions. Don’t be afraid to disagree with popular opinion. The most important thing is to develop your own unique perspective on film. So, turn off the algorithm, pick a classic, and start watching. You might be surprised at what you discover. Maybe you’ll even find yourself pondering how AI will impact movies in the coming years.
Ready to become a true film aficionado? Start today by creating a list of five classic movies from the AFI’s Top 100 list and commit to watching one each week. Engage with online communities and share your thoughts. Stop letting the algorithm dictate your viewing habits and start curating your own cinematic journey. The world of film awaits! Consider how cult films and hyperlocal news both cater to dedicated audiences.
Where can I find classic movies to watch?
Many streaming services like Criterion Channel and Kanopy offer curated collections of classic and independent films. You can also rent or buy DVDs and Blu-rays from online retailers or local libraries.
How do I know which classic movies are worth watching?
Consult reputable sources like the American Film Institute (AFI), Sight & Sound magazine, and film critics’ lists. Look for films that are frequently cited as being influential or groundbreaking.
What if I don’t understand a classic movie?
Don’t worry if you don’t understand everything on the first viewing. Read reviews and analyses online, discuss the film with friends, and watch it again. Sometimes, a second viewing can reveal new layers of meaning.
Are there any resources for learning more about film history?
Yes, many books, documentaries, and online courses cover film history. Check out books by film historians like David Bordwell and Kristin Thompson, and explore online resources like the British Film Institute (BFI) website.
What if I just don’t like classic movies?
That’s okay! Not everyone enjoys the same types of films. However, it’s worth giving classic movies a try before dismissing them entirely. You might be surprised at what you discover. If you still don’t enjoy them, focus on exploring other genres and styles that appeal to you.
Instead of passively scrolling through endless streaming options tonight, pick one film from the AFI Top 100 list – Singin’ in the Rain, perhaps – and truly engage with it. Read about its production, its cultural impact, and its place in film history. You might just find yourself on the path to becoming a true cinephile. And if you’re looking for something a little more obscure, perhaps start with “Why You Should Like” articles.
